Copyright of Generative AI Music on Digital Music Platforms in Indonesia

Authors

  • Rara Amalia Cendhayanie Universitas Borobudur, Jakarta, Indonesia
  • Abdullah Sulaiman Universitas Borobudur, Jakarta, Indonesia

DOI:

https://doi.org/10.38035/gijlss.v3i3.603

Keywords:

Copyright, Music, Generative AI

Abstract

At present, music is readily accessible through various streaming platforms. Even digital technology has revolutionized the concept of music creation by enabling the use of generative Artificial Intelligence (AI), marking a new phase in the evolution of contemporary music. Currently, the use of generative AI is one of the issues being debated, particulary concerning copyright ownerhip of AI generated works. This study aims to investigate the regulation of copyright and the commercialization of music generated through generative AI in Indonesia. The research adopts a normative juridicial method with a literature based approach,focusing on the anyalysis of secondary legal materials. The Indonesian Copyright Law (ICL) does not explicitly regulate copyrighted works generated through generative AI. However, the ICL does contain provisions that accommodate the assistance of other parties or the use of aids in producing a copyrighted work, as stated in Article 34 of the ICL. Referring to the provisions of Article 34, a person who creates music using generative AI and has their music included on a digital music platform is entitled to royalties as a creator. However, the absence of specific rules related to the use of generative AI in music in the ICL should have received serious attention from the government to regulate this matter.

References

Ginting, A. R. (2019). Peran Lembaga Manajemen Kolektif Nasional dalam Perkembangan Aplikasi Musik Streaming. Jurnal Ilmiah Kebijakan Hukum, 13(3), 379. https://doi.org/10.30641/kebijakan.2019.v13.379-398

Inakyora Nalya Arimbi, B., Aditya Pramana Putra, M., Raya Kampus Unud, J., Kuta Sel, K., Badung, K., & Penulis, K. (2024). Pt. Media Akademik Publisher Implikasi Hukum Hak Cipta Dalam Komersialisasi Karya-Karya Artificial Intelligence Dalam Industri Kreatif. Jma), 2(11), 3031–5220.

Karina, S. I. (2022). Is This Part Substantial or Is It Time to Rethink the Concept of Originality in Music? Nagari Law Review, 5(2), 184. https://doi.org/10.25077/nalrev.v.5.i.2.p.184-191.2022

Millaudy, R. A., Permata, R. R., & Mayana, R. F. (2023). Komersialisasi Konten Lagu dan Musik Dalam Platform Digital Dikaitkan Dengan Prinsip Fair Use Menurut Undang-Undang Republik Indonesia Nomor 29 Tahun 2014 tentang Hak Cipta dan Perbandingannya Di Beberapa Negara. COMSERVA?: Jurnal Penelitian Dan Pengabdian Masyarakat, 3(4), 1239–1251. https://doi.org/10.59141/comserva.v3i4.900

Permata Azmi, M. (2024). Orisinalitas: Konsep, Penilaian, dan Cara Menunjukkannya pada Bidang Geometri. Journal for Research in Mathematics Learning) P, 7(2), 127–138. http://dx.doi.org/10.24014/juring.v7i2.31354

Sari, N. K., Santyaningtyas, A. C., & Anisah, A. (2023). Orisinalitas Karya Cipta Lagu dan/atau Musik yang Dihasilkan Artificial Intelligence. Jurnal Ilmiah Kebijakan Hukum, 17(3), 365. https://doi.org/10.30641/kebijakan.2023.v17.365-384

Sinaga, E. J. (2020). Pengelolaan Royalti atas Pengumuman Karya Cipta Lagu dan/atau Musik (Royalty on the Management of Copyright Songs and Music). Jurnal Ilmiah Kebijakan Hukum, 14(3), 553.

Damian, E. (2002). Hukum Hak Cipta. Bandung: Alumni.

Djubaedillah, D. d. (2012). Hak Milik Intelektual Sejarah, Teori, dan Praktiknya di Indonesia. Bandung: Citra Aditya Bakti.

Dwi Atmoko, R. A. (2023). Hukum Hak Kekayaan Intelektual. Malang: Literasi Nusantara.

Lee, E. (2019). The Coevolution of Humans and and Machines. Massachusets: MIT Press.

Susilowati, E. (2013). Hak Kekayaan Intelektual dan Lisensi Pada HKI. Semarang: UNDIP Press.

Deezer. (2025, April 16). Deezer newsroom. Retrieved from Deezer newsroom: https://newsroom-deezer.com/2025/04/deezer-reveals-18-of-all-new-music-uploaded-to-streaming-is-fully-ai-generated/

Erlan. (2023, Agustus 22). Tek.id. Retrieved from Tek.id: https://www.tek.id/tek/youtube-akan-monetisasi-dari-musik-yang-dibuat-ai-b2hVP9qF7

Gema, A. J. (2024, Agustus 7). Hukum Online. Retrieved from Hukum Online: https://www.hukumonline.com/berita/a/uji-4-langkah--menilai-orisinalitas-karya-generative-ai-lt66b259120e6bb/?page=1

Otakotor. (2025, Maret 7). Otakortor Media. Retrieved from Otakotor Media: https://otakotormedia.com/ternyata-begini-perbedaan-royalti-musik-dari-platform-streaming-digital-spotify-youtube-music-dan-cara-perhitungannya/

Siddiq, N. A. (2025, January 26). warstek. Retrieved from warung sains teknologi: https://warstek.com/ai-musik/

Webster, M. (2025, September 30). Merriam Webster. Retrieved from Merriam Webster Dictionary: https://www.merriam-webster.com/dictionary/originality

Wijaya, A. H. (2025, Februari 08). Valid News. Retrieved from Kultura: https://validnews.id/kultura/bukan-konser-sumber-terbesar-royalti-musisi-dari-platform-digital

Published

2025-11-22

How to Cite

Rara Amalia Cendhayanie, & Abdullah Sulaiman. (2025). Copyright of Generative AI Music on Digital Music Platforms in Indonesia. Greenation International Journal of Law and Social Sciences, 3(3), 1153–1161. https://doi.org/10.38035/gijlss.v3i3.603