The New Media Operating System (NMOS): A Synthesis Model of Deconglomeration, Decentralization, and Demassification in the New Media Communication Domain

Authors

  • Prabu Revolusi Paramadina University, Jakarta, Indonesia.
  • Wishnutama Kusubandio Macquarie University, Sydney, Australia.
  • Radians Krisna Febriandy Paramadina University, Jakarta, Indonesia.

DOI:

https://doi.org/10.38035/gijlss.v4i3.1022

Keywords:

platform governance, platformization, algorithmic gatekeeping, creator economy, media regulation, Indonesia

Abstract

Title: The New Media Operating System (NMOS): A Synthesis Model of Deconglomeration, Decentralization, and Demassification in the New Media Communication Domain. Object: The operational mechanisms through which organic new media entities function in the ecosystem produced by deconglomeration, decentralization, and demassification, with Indonesia as context. Method: This study employs a systematic literature review of 29 peer-reviewed articles (2020 to 2025) selected from 412 initial records, grounded in the New Media Communication Domain framework, Mediamorphosis, and Teknologimorfosis, and illustrated with Indonesian secondary data on media consumption, media entities, advertising expenditure, and YouTube rankings. Results: The NMOS model identifies five mechanisms: algorithmic gatekeeping (M1), attention economy architecture (M2), prosumer and participatory production (M3), datafication (M4), and platform governance (M5). Platform corporations such as YouTube, Meta, and TikTok are treated as governing infrastructure: like the printing press, they carry media content, but they also run M1, M2, M4, and M5, whereas M3 belongs to the media entities, including prosumers, that operate on top of them. In Indonesia, online outlets dominate the press companies verified by the Press Council (964 of 1,789 in 2023), daily Internet use far exceeds television viewing, and individual creators lead the YouTube rankings, although television still dominates measured advertising expenditure. Conclusion: The NMOS model constitutes a synthesis of the three structural transformation processes and provides scholars with an integrated analytical framework and policymakers with a basis for two-layer media regulation: infrastructure rules for platforms and press regulation for media entities.

References

Agi Fahrisky, and Rahmawati, D. E. (2025). Social media, big data, and AI in Indonesia's political campaign strategy. Jurnal Studi Komunikasi, 9(2), 509-520. https://doi.org/10.25139/jsk.v9i2.9699

APJII. (2023). Survei penetrasi internet Indonesia 2023 [Survey report]. Asosiasi Penyelenggara Jasa Internet Indonesia. https://apjii.or.id/survei

Badr, Z. (2021). More or more of the same: Ownership concentration and media diversity in Egypt. The International Journal of Press/Politics, 26(4), 774-796. https://doi.org/10.1177/19401612211025164

Bandy, J., and Diakopoulos, N. (2021). Curating quality? How Twitter's timeline algorithm treats different types of news. Social Media and Society, 7(3), 1-17. https://doi.org/10.1177/20563051211041648

Bhandari, A., and Bimo, S. (2022). Why's everyone on TikTok now? The algorithmized self and the future of self-making on social media. Social Media and Society, 8(1). https://doi.org/10.1177/20563051221086241

Couldry, N. (2020). Recovering critique in an age of datafication. New Media and Society, 22(7), 1135-1151. https://doi.org/10.1177/1461444820912536

Craufurd Smith, R., Klimkiewicz, B., and Ostling, A. (2021). Media ownership transparency in Europe: Closing the gap between European aspiration and domestic reality. European Journal of Communication, 36(6), 547-562. https://doi.org/10.1177/0267323121999523

Curran, D. (2023). Surveillance capitalism and systemic digital risk: The imperative to collect and connect and the risks of interconnectedness. Big Data and Society, 10(1). https://doi.org/10.1177/20539517231177621

Databoks. (2020, February 26). Indonesians spend almost 8 hours on the internet. Katadata. https://databoks.katadata.co.id/en/technology-telecommunications/statistics/65e9e8226c4ebe5/indonesians-spend-almost-8-hours-on-the-internet

Databoks. (2025, June). Jess No Limit is Indonesia's most popular YouTuber as of June 2025. Katadata. https://databoks.katadata.co.id/en/media/statistics/684d8bcfeb093/jess-no-limit-is-indonesias-most-popular-youtuber-as-of-june-2025

DataReportal. (2019–2024). Digital 2019 to Digital 2024: Indonesia [Annual digital reports]. Kepios, We Are Social, and Hootsuite (2019–2022) or Meltwater (2023–2024). https://datareportal.com/digital-in-indonesia

Dencik, L. (2020). Mobilizing media studies in an age of datafication. Television and New Media, 21(6), 568-573. https://doi.org/10.1177/1527476420918848

detikInet. (2020). Wuih, ini dia pemegang Diamond Button YouTube di Indonesia. https://inet.detik.com/cyberlife/d-5174095/wuih-ini-dia-pemegang-diamond-button-youtube-di-indonesia

Dewan Pers. (2012). Pedoman pemberitaan media siber [Cyber media reporting guidelines]. Peraturan Dewan Pers Nomor 1/Peraturan-DP/III/2012. Dewan Pers.

Dewan Pers. (2023). Laporan Dewan Pers 2023: Mengawal kemerdekaan pers dan jurnalisme berkualitas di tahun politik [Press Council Report 2023]. Dewan Pers.

Duffy, B. E., and Meisner, C. (2023). Platform governance at the margins: Social media creators' experiences with algorithmic (in)visibility. Media, Culture and Society, 45(2), 285-304. https://doi.org/10.1177/01634437221111923

Duffy, B. E., Pinch, A., Sannon, S., and Sawey, M. (2021). The nested precarities of creative labor on social media. Social Media and Society, 7(2). https://doi.org/10.1177/20563051211021368

Fidler, R. (1997). Mediamorphosis: Understanding new media. Pine Forge Press.

Flensburg, S., and Lomborg, S. (2023). Datafication research: Mapping the field for a future agenda. New Media and Society, 25(6), 1451-1469. https://doi.org/10.1177/14614448211046616

Flew, T., and Gillett, R. (2021). Platform policy: Evaluating different responses to the challenges of platform power. Journal of Digital Media and Policy, 12(2), 231-246. https://doi.org/10.1386/jdmp_00061_1

Flew, T., Gillett, R., Martin, F., and Sunman, L. (2021). Return of the regulatory state: A stakeholder analysis of Australia's Digital Platforms Inquiry and online news policy. The Information Society, 37(2), 128-145. https://doi.org/10.1080/01972243.2020.1870597

Flew, T., and Wilding, D. (2021). The turn to regulation in digital communication: The ACCC's digital platforms inquiry and Australian media policy. Media, Culture and Society, 43(1), 48-65. https://doi.org/10.1177/0163443720926044

Gillespie, T. (2020). Content moderation, AI, and the question of scale. Big Data and Society, 7(2). https://doi.org/10.1177/2053951720943234

Gorwa, R., Binns, R., and Katzenbach, C. (2020). Algorithmic content moderation: Technical and political challenges in the automation of platform governance. Big Data and Society, 7(1). https://doi.org/10.1177/2053951719897945

Gumati, M. R. (2024). Digital sovereignty and state power: Indonesia's approach to digital platforms regulation. JISPO Jurnal Ilmu Sosial dan Ilmu Politik, 14(1), 99-126. https://doi.org/10.15575/jispo.v14i1.39500

Kontan. (2022, August 12). Nielsen: Porsi iklan televisi masih mendominasi pada semester I 2022. https://industri.kontan.co.id/news/nielsen-porsi-iklan-televisi-masih-mendominasi-pada-semester-i-2022

Lomborg, S., Dencik, L., and Moe, H. (2020). Methods for datafication, datafication of methods: Introduction to the special issue. European Journal of Communication, 35(3), 203-212. https://doi.org/10.1177/0267323120922045

Masduki. (2021). Media control in the digital politics of Indonesia. Media and Communication, 9(4), 52-61. https://doi.org/10.17645/mac.v9i4.4225

Meisner, C. (2023). The weaponization of platform governance: Mass reporting and algorithmic punishments in the creator economy. Policy and Internet, 15(4), 466-477. https://doi.org/10.1002/poi3.359

Mukerjee, S. (2023). Rethinking audience fragmentation using a theory of news reading publics: Online India as a case study. The International Journal of Press/Politics, 28(4), 862-883. https://doi.org/10.1177/19401612211072700

Nieborg, D. B., and Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New Media and Society, 20(11), 4275-4292. https://doi.org/10.1177/1461444818769694

Ong, J. C., and Tapsell, R. (2022). Demystifying disinformation shadow economies: Fake news work models in Indonesia and the Philippines. Asian Journal of Communication, 32(3), 251-267. https://doi.org/10.1080/01292986.2021.1971270

Plantin, J.-C., Lagoze, C., Edwards, P. N., and Sandvig, C. (2018). Infrastructure studies meet platform studies in the age of Google and Facebook. New Media and Society, 20(1), 293-310. https://doi.org/10.1177/1461444816661553

Plantin, J.-C., and Punathambekar, A. (2019). Digital media infrastructures: Pipes, platforms, and politics. Media, Culture and Society, 41(2), 163-174. https://doi.org/10.1177/0163443718818376

Republic of Indonesia. (2024). Peraturan Presiden Nomor 32 Tahun 2024 tentang Tanggung Jawab Perusahaan Platform Digital untuk Mendukung Jurnalisme Berkualitas [Presidential Regulation No. 32 of 2024 on the responsibility of digital platform companies to support quality journalism]. Lembaran Negara Republik Indonesia Tahun 2024 Nomor 46. https://peraturan.bpk.go.id/Details/278037

Revolusi, P. (2022). The construct of new media communication domain as television broadcast mediamorphosis output (television morphosis). International Journal of Environmental, Sustainability and Social Sciences, 3(3), 741-750. https://doi.org/10.38142/ijesss.v3i3.298

Revolusi, P. (2025). Teknologimorfosis: Evolusi teknologi dalam masyarakat digital. Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi), 9(4), 1536-1544. https://doi.org/10.35870/jtik.v9i4.4110

Reuters Institute for the Study of Journalism. (2024). Reuters Institute digital news report 2024 [Annual report]. University of Oxford. https://reutersinstitute.politics.ox.ac.uk/digital-news-report/2024

Savolainen, L., Uitermark, J., and Boy, J. D. (2022). Filtering feminisms: Emergent feminist visibilities on Instagram. New Media and Society, 24(3), 557-579. https://doi.org/10.1177/1461444820960074

Schellewald, A. (2023). Understanding the popularity and affordances of TikTok through user experiences. Media, Culture and Society, 45(8), 1568-1582. https://doi.org/10.1177/01634437221144562

Stockmann, D. (2023). Tech companies and the public interest: The role of the state in governing social media platforms. Information, Communication and Society, 26(1), 1-15. https://doi.org/10.1080/1369118X.2022.2032796

SWA. (2022). Televisi masih menjadi saluran iklan pilihan para brand. https://swa.co.id/read/344992/televisi-masih-menjadi-saluran-iklan-pilihan-para-brand

Tapsell, R. (2017). Media power in Indonesia: Oligarchs, citizens and the digital revolution. Rowman and Littlefield International.

Thomas, J., and Harden, A. (2008). Methods for the thematic synthesis of qualitative research in systematic reviews. BMC Medical Research Methodology, 8, 45. https://doi.org/10.1186/1471-2288-8-45

Toffler, A. (1980). The third wave. William Morrow.

Tornberg, P., and Uitermark, J. (2022). Tweeting ourselves to death: The cultural logic of digital capitalism. Media, Culture and Society, 44(3), 574-590. https://doi.org/10.1177/01634437211053766

van Dijck, J. (2021). Seeing the forest for the trees: Visualizing platformization and its governance. New Media and Society, 23(9), 2801-2819. https://doi.org/10.1177/1461444820940293

Webster, J. G., and Ksiazek, T. B. (2012). The dynamics of audience fragmentation: Public attention in an age of digital media. Journal of Communication, 62(1), 39-56. https://doi.org/10.1111/j.1460-2466.2011.01616.x

Zuboff, S. (2022). Surveillance capitalism or democracy? The death match of institutional orders and the politics of knowledge in our information civilization. Organization Theory, 3(3). https://doi.org/10.1177/26317877221129290

Zulli, D., and Zulli, D. J. (2022). Extending the Internet meme: Conceptualizing technological mimesis and imitation publics on the TikTok platform. New Media and Society, 24(8), 1872-1890. https://doi.org/10.1177/1461444820983603

Published

2026-07-09

How to Cite

Revolusi, P., Kusubandio, W., & Febriandy, R. K. (2026). The New Media Operating System (NMOS): A Synthesis Model of Deconglomeration, Decentralization, and Demassification in the New Media Communication Domain. Greenation International Journal of Law and Social Sciences, 4(3), 561–577. https://doi.org/10.38035/gijlss.v4i3.1022